It was Spring Break last week at Duke, so I enjoyed all that “free” time to do two things. During the day, I worked on revising a few research papers that are in various stages of production. At night, I watched all of the BBC’s ITV’s Downton Abbey.
I thoroughly enjoyed the show, but I wonder why I — and, apparently, hundreds of thousands of others — enjoyed it so much. When all is said and done, most of the characters are pretty one-dimensional, and The Wire this is not. But if you’ve not seen the show and plan on watching it, skip the next two paragraphs to avoid the spoilers.
Thomas and O’Brien, who are respectively a footman and the lady’s maid, are always bad. Anna and Bates, who are respectively the head housemaid and the lord’s valet, are always good. Perhaps the only character who exhibits a bit of depth is the dowager countess, brilliantly played by Maggie Smith.
(Yes, I know: Bates is in prison for the death of his wife. But is there any doubt that season 3 will bring a new development which will exonerate him?)
Krugman on Writing Well
Every once in a while I get correspondence from someone chiding me for the way I write — in particular the informality. I received one the other day complaining about sentences that begin with “but” or “and.” There is, however, a reason I write this way.
You see, the things I write about are very important; they affect lives and the destiny of nations. But despite that, economics can all too easily become dry and boring; it’s just the nature of the subject. And I have to find, every time I write, a way to get past that problem.
One thing that helps, I’ve found, is to give the writing a bit of a forward rush, with a kind of sprung or syncopated rhythm, which often involves sentences that are deliberately off center.
More broadly, the inherent stuffiness of the subject demands, almost as compensation, as conversational a tone as I can manage.
More here, with credit to Michael Roberts.
Here is more excellent advice on writing, albeit not from Paul Krugman: “25 Things Writers Should Stop Doing (Right F***ing Now),” and “25 Things Writers Should Know about Rejection.” The language is NSFW, but the content is excellent.